舒曼的主要钢琴作品多完成于一八三九年之前,也就是热情洋溢的青年时期。这个时期的舒曼习惯于在钢琴上倾诉自己的情感。一篇篇的钢琴作品,其实就是他一篇篇的生活日记。作品中所涌现的旋律,也大都是可歌性的语法。而在诗学的影响下,其作品的旋律,也往往离不开方正的二小节、四小节、八小节的乐句组成。这使得他的旋律显示出极为热情内敛而不虚华外烁的线条。它在钢琴的中间音域以平和的音程进行,所表达的无限性内涵,必须像“朗诵诗”一般地反复寻味,才能得到深切的同情共感。 Schumann’s main piano works completed more than 1839, is also a passionate youth. Schumann was accustomed to talking about his feelings on the piano during this period. A piece of piano works, in fact, is an article diary of his life. The melodies appearing in the works are mostly melodic grammar. Under the influence of poetics, the melody of his works is also often inseparable from the two sections, four sections and eight sections of Founder. This makes his melody show a very passionate introverted, but not dashed lines. It is in the middle of the piano with a smooth pitch range, the expression of the infinite connotation, must be like “recitation poem ” in search of repeated, in order to get deep sympathy.