中国书画历来强调书法对绘画的作用,却忽略了两者间的彼此影响。宋元以后的“引书入画”理论,对新兴的水墨画起到了推波助澜的作用,同时也加速了绘画中线条内结构的丰满和自律。宋元以后,中国画墨法、水法迅猛发展,同时,通过“引书入画”的旧途反馈给了书法,使书法、绘画成为一个回环往复的链条,书法的墨法成 Chinese calligraphy and painting have always emphasized the role of calligraphy in painting, while ignoring the mutual influence between the two. Since the introduction of the Song and Yuan Dynasties, the introduction of the theory of drawing books and painting has played a role in boosting the emerging ink painting, and at the same time has accelerated the fullness and self-discipline of the structure in the lines of painting. After the Song and Yuan dynasties, the Chinese ink and water laws developed rapidly. At the same time, the calligraphy and painting became a loop back and forth through the old ways of “drawing the book into the painting.”