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2015年9月21日,在南京艺术学院音乐厅举行的“纪念中国人民抗日战争暨世界反法西斯战争胜利70周年”交响音乐会上,笔者聆听到了王建元先生的原创作品交响诗《祭》,这部为纪念中国人民抗日战争暨世界反法西斯战争中献出生命的英烈们而作的乐曲显示出浓厚的历史感和沉重感,让人感受到震撼与悲泣,作者在形式技术以及精神内涵的表现上达到了高度的统一。本文将从作品的技术构建以及精神内涵角度展开分析,探究作品中的悲剧性的张力与
On September 21, 2015, at the Symphony Orchestra at the Concert Hall of the Nanjing Arts Institute, at the symphony concert “Commemorating the 70th Anniversary of the Victory of the Chinese People’s Anti-Japanese War and the World Anti-Fascist War,” I listened to the original work of Mr. Wang Jianyuan’s symphonic poem “Festival ”This piece of music, which commemorates the sacrificial heroics of the Chinese People’s War of Resistance Against Japanese Aggression and the world’s heroic anti-fascist war, shows a strong sense of history and heaviness, making people feel the shock and weeping. The author, in the form of technology and spirit Connotation of the performance reached a high degree of unity. This article will analyze the technical construction and spiritual connotation of the works to explore the tragic tension in the works and