四十年代,《清宫外史》的写作和演出,经过很崎岖的路程,曾有一番很不平凡的遭遇。现在,进入八十年代,重新上演《清宫外史》,境遇完全不同,有了大有可为的艺术创作氛围。当我们在堂皇的大剧场里,完全由一代新人重演《清宫外史》时,不由我不追忆起由这个戏而引起的种种政治风浪,特别是“四人帮”假手戚本禹抛出《爱国主义还是卖国主义》,打击诬陷革命老前辈,迫害与此剧有关的一切人的阴谋;不由 In the 1940s, the writing and performance of “The History of the Qing Imperial Palace” experienced some very unusual encounters after a very rough journey. Now, entering the 1980s, re-staging “History of the Qing Dynasty”, the situation is completely different, there is a promising atmosphere of art creation. When we were completely rebuilt in the grand theater by a generation of new people, we could not help but recall all the political storms caused by this drama. In particular, the “gang of four” ", Crack down on framing the revolutionary predecessors and persecute all people’s conspiracies related to this drama;