《逼上梁山》是在延安平剧改革运动中形成,并直接投射唯物史观与抗战政治的历史化文本。其创作过程数易其稿,其创作体制可谓集体写作的典型范例。尽管在创作过程中始终伴随着激烈的争论,但最终在苦难—反抗—成长—解放的整合理路下归于平静。作为延安平剧改革的开拓性成果,《逼上梁山》为传统戏曲与现实生活的融合进行了积极的探索,也对建国之后当代文学的政治化品格产生了深远的影响。 “Forcing Yangshan” is a historical text formed during the Yan’an Ping-Ping reform movement and directly projecting historical materialism and politics of war. Its creative process is easy to draft, its creative system can be described as a typical example of collective writing. Although there was always a fierce debate in the process of creation, it eventually ended up under a combination of misery, resistance, growth and liberation. As a pioneering achievement of the reform of Ping-drama in Yan’an, “Forcing on the Mountains” has actively explored the integration of traditional opera and real life, and has also had a profound impact on the politicized character of contemporary literature after the founding of the People’s Republic of China.