文学解释学作为一个重要的文艺美学流派,是20世纪60年代初在联邦德国发展起来的,它的出现引起了美学界和文艺界的广泛关注。本文主要从本文理解、解释的历史性问题的角度出发,对现代解释学两个重要人物伽达默尔和赫施的解释学思想进行比较,论述了他们之间的分歧。 As an important school of literary aesthetics and aesthetics, literary hermeneutics was developed in the Federal Republic of Germany in the early 1960s. Its emergence has aroused widespread concern in the aesthetic and literary circles. This article mainly discusses the hermeneutical thinking of Gadamer and Hirsch, the two important figures in modern hermeneutics, from the perspective of the historical problems of understanding and interpretation of this article, and expounds the differences between them.