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“文人书法”是中国书法美学思想体系中的一种内容和风格形式都相对鲜明的概念,是中国书法风格史上的重要组成部分。自宋代以来,中国书法的发展主要是沿着文人书法的传统和思路发展,在书法创作中力图表现出文人气质也是书家所关注的问题,不同时期所出现的书法革新思潮也都是与文人书法之间存在或演变或抵触的关系,书法文人化一方面繁荣和深化了书法的内涵,一方面在某些时期极大的减弱了书法的表现力,降低了传统书法的审美格调。因此,本文从日常书写的角度出发,从文人、书家、书写、书法之间的关系入手,着重探讨日常书写在文人书法思想体系形成过程中的作用,以及文人书法的书写性特质。
“Literati Calligraphy ” is a concept in Chinese calligraphy esthetics system with a relatively distinct content and style. It is an important part of the history of Chinese calligraphy style. Since the Song Dynasty, the development of Chinese calligraphy has been mainly developed along the tradition and train of thought of calligraphers. It is also a book’s concern for the calligraphers to exert their influence on calligraphic writing. The trend of calligraphic innovations in different periods is also similar to that of scholars On the one hand, the calligraphic literati flourished and deepened the connotation of calligraphy. On the one hand, the calligraphic expression greatly weakened the expression of traditional calligraphy on one hand and the aesthetic style of traditional calligraphy on the other hand. Therefore, starting from the perspective of daily writing, this paper starts from the relationship between literati, calligrapher, calligraphy and calligraphy, and focuses on the function of daily writing in the process of forming ideological system of literary calligraphists and the writing qualities of literati calligraphy.