日常生活中的画画画画儿的主题日益变成日常生活本身。这首先意味着即使那些极其通俗的生活场景也可以“入画”了,其次,是杀鸡用牛刀,油画可以用来作“日记”(刘小东的“金州日记”),黄钟大吕般的体式和一地鸡毛的日子不可思议地结合在一处了,它显示出一种“随处即兴”的特征。更重要的是学院绘画的框里和框外的关系变得模糊了,“开始”和“完成”的关系变得更加复杂。就像一幕永远都在舞台上的戏剧不存在彩排和正式演出的区别一样,草稿本身不 The theme of drawing and painting in everyday life is increasingly becoming daily life itself. This means in the first place that even extremely popular life scenes can be “painted”, followed by chickens with chickens, oil paintings can be used for “diary” (Liu Xiaodong’s “Golden State Diary”), The combination of Huang Zhongda’s Lu-style body and the days of chicken feathers were incredibly mixed together, showing an “impromptu” character. More importantly, the relationship between the inside and outside of the college painting has become blurred. The relationship between “start ” and “done ” has become more complicated. Like a scene where drama is always on stage There is no difference between rehearsal and formal performance, the draft itself is not