中国画的“气韵”之说,始自六朝南齐人物画家谢赫的《古画品录》中的六法之论。六法为:一是气韵生动,二是骨法用笔,三是应物象形,四是随类赋彩,五是经营位置,六是转移模写。从此,六法之首的“气韵生动”成为中国画根本性审美标准。谢赫是人物画家,人物画之“韵”来自于所谓魏晋风度,也即当时的人伦鉴赏标准,指一个人的情调、个性,有清远、通达、放旷之美。而这种美,流注于人的形象之间,从形象中可 Chinese painting “Qi Yun ” theory, from the Six Dynasties figure painter Sheikh “Ancient Paintings” in the six theory. Six methods are: First, vivid charm, the second method is to use the pen, the third is the shape of the object, the fourth is with the class color, five is the business location, the transfer mode transfer. Since then, the first of the six law “vivid style ” has become the basic aesthetic standards of Chinese painting. Sheikh is a figure painter, figure painting “rhyme ” comes from the so-called Wei and Jin demeanor, that is, the standard of human relations Appreciation, refers to a person’s mood, personality, Qingyuan, Mastery, liberal arts. And this beauty, the flow of people in the image between, from the image can be