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中国现代壁画的复兴,始于70年代末,在短短的十几年间,全国各大城市的宾馆、饭店及其它公共建筑中出现了数不胜数的壁画作品。这些作品在工艺材料、制作方法、继承传统、吸收民间美术以及借鉴外国经验等方面,都有不同程度的创新和发展。但是另一方面,这些壁画的题材多以风光名胜、花鸟、古代文化及神话传说为主,在形式上都有适度的变形和装饰性的线条、色彩处理,基本上是北京机场壁画风格的延续和发挥。新一代壁画家已开始对北京机场壁画风格不满,他们力图使中国壁画有更深的精神内涵和更新的形式,希望壁画艺术从宾馆、酒店走向更宽阔的公共场合。
The revival of modern Chinese murals began in the late 1970s with the emergence of numerous mural works in hotels, restaurants and other public buildings in major cities in just a dozen or so years. These works have different degrees of innovation and development in the aspects of process materials, production methods, inheriting traditions, absorbing folk art, and drawing on foreign experiences. However, on the other hand, the themes of these murals are mainly scenic spots, flowers and birds, ancient culture and myths and legends. They all have moderate deformation and decorative lines in form and color processing. They are essentially the continuation of the mural style at Beijing Airport And play. A new generation of mural painters have begun to dissatisfaction with the mural style at Beijing Airport. They try to make Chinese murals have a deeper spiritual connotation and new forms, and hope mural art moves from hotels and hotels to wider public places.