见画识人,识人观画,看似无甚差别,但因有了前后顺序,便大相径庭,总是那先入的为主。旁人不知,在画家周红艺处,却如因果一般,先后有序.一架远山,一树桃花,那山因为远,被水墨渲染着,散漫成了背景;那桃花却开得正好,花朵拥着花朵,是繁盛的模样。山是远眺苍茫的,花却是粉色烂漫的,那山,那花,是写意的手笔,被泛黄的画纸衬着,自然生动,古意盎然。再去看落款,似乎是孔艺,便不自觉地念出,却引来朋友笑声:那是红,周红艺。再看,自己也 See painting people, people know painting, seemingly no difference, but because of the sequence before and after, they are very different, always preconceived. I do not know others, in the painter Zhou Hong Arts Department, but as a causal general, orderly .A distant mountain, a peach blossom, that mountain because of far, is rendered by ink, scattered into a background; that peach blossom, flowers bloom Flowers, is a flourishing appearance. The mountain is overlooking the vast, but the flowers are brilliant pink, that mountain, that flower, is freehand brushwork, yellowed paper lining, natural and vivid, ancient flavor. See again inscriptions, seems to be Kong Yi, do not consciously read out, but attracted a friend laugh: That is red, Zhou Hongyi. Look, myself too