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动画电影《大鱼海棠》创意运用中国元素,构造了一个极具东方玄幻气质的乌托邦式世界。但这里的成员禁止与人类接触,否则世界崩塌。机缘巧合之下,人类鲲舍命相救女主角椿,促使后者必须直面“两难”选择——完成个人道德救赎还是保全集体大利益。为了铺垫椿抉择的合理性,爷爷丿、伙伴湫等人给予了椿极大的鼓励和支持,但沉潜其间的“功利主义”色彩却颇值思量。而类似情形在近年出产的动漫影视作品中并非鲜见,剧设中某些负面价值导向,给未成年观众可能造成的潜在影响,尤应引起特别的关注和警惕。
Animated film “Big Begonia” creative use of Chinese elements, constructed a very Oriental fantasy utopian world. But members here are forbidden to contact human beings, otherwise the world will collapse. Coincidentally, humankind die to help actress Chun, prompting the latter must face “dilemma ” choice - to complete personal moral salvation or save the collective interests. In order to pave the way for the rationality of choice, Grandpa Lao, companion Lao and others gave great encouragement and support. However, the “utilitarianism” of the subdued period was quite worthy of consideration. A similar situation is not uncommon among the anime film and television productions produced in recent years. It is especially noteworthy and vigilant that some negative value-oriented dramas may have potential impact on underage audiences.