本文从“复调”批评理论的角度出发,对马克·吐温的著作《哈克贝利·芬历险记》进行重新解读。小说通过少年哈克和黑奴吉姆追求自由的逃亡历程,在叙述结构、人物关系以及语言上呈现出“复调”景观,显示了这部优秀作品的“复调性”创作思维。 From the perspective of “polyphonic” critical theory, this article reinterprets Mark Twain’s book The Adventures of Huckleberry Finn. Through the pursuit of the freedom to escape from the novels of Huckle and Black Nim, the novel presents a “polyphonic” landscape in narrative structure, character relations and language, which shows the “polyphonic” creative thinking of this outstanding work.