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中国画在构图上灵活自由,讲究经营,多强调抒发作者的主观情趣;在透视上用的是散点透视法;在造型上重视构思,讲究“妙在似与不似之间”和“不似之似”;在用色上则较为单一;在手法上注重“以形写神”。相对中国画而言,西方油画在构图上讲究严格的黄金律;在透视上有科学的焦点透视;在造型上要求严格而科学的形体塑造,讲究“以形写形”;在用色上强调自然界对于物体的光色变化,强调用色的多样性;在手法上讲究画面的整体、概括,也讲究对形体的准确塑造基础上对人物内心世界的深刻挖掘上,达到与读者以内心的对话和通灵。
Chinese painting is flexible and free in composition, emphasizing management and emphasizing the subjective taste of the author. In the perspective of using the perspective of scattered point of view, emphasis is put on the concept in modeling, stressing that “the difference between likeness and notness” and “ ”Not like the like“; in the use of color is more single; pay attention to the way in ”to write God.“ Compared with the traditional Chinese painting, Western oil paintings pay attention to the strict golden rule in the composition, and have a scientific focus in perspective. They are strict and scientific in shape, and stress on ”shape". In color Emphasize the nature of the light color for the object changes, emphasizing the diversity of color; pay attention to the overall picture of the screen, generalization, but also pay attention to the accurate shaping of the body on the basis of the inner world of the deep mining, with the reader to the heart Dialogue and psychic.