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著名画家丁韶光说过:“一幅好画要具备‘三结合’的条件,那就是东方与西方的结合,古代和现代的结合,抽象和具象的结合。”现代重彩画随着画家思维方式的改变,产生与传统工笔画从形式到内容的变化。中国现代重彩画不仅仅是对中国传统绘画和西方现代绘画的简单借鉴,而是在吸收的基础上又加以变革而形成的中国式的绘画样式,它吸收了东西方绘画的精华,在中国现代艺术之林中大放光彩。
Ding Shaoguang, a famous painter, said: “A good painting must have the conditions of” three combinations, “namely the combination of the east and the west, the combination of the ancient and the modern, the combination of the abstract and the figurative.” Changes in the way of thinking, produce and traditional style strokes from form to content changes. Chinese modern heavy color painting is not only a simple reference to Chinese traditional painting and modern western painting, but a Chinese-style painting style formed on the basis of absorption and transformation. It absorbs the essence of Eastern and Western painting, Art of the forest shine.