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本文以作者的毕业设计作品为论题展开,论文详细地阐释了作品背后的引申含义和哲学。这次的毕业设计的入手点是传统的漆艺技法与符号的客串,以“卍”符号为基本单位,仿造剪纸技法“万代长春”的形式(如图1-1),结合现在装饰线条符号来戗金。我认为当代的漆艺应避免过分注重客体的模仿和再现而放弃多角度多方位的观察与多元化的表现。学院式的教养与传统工艺的顺势交融是当代装饰的方向,我们在探究装饰漆艺的过程中,应当从自然出发,拿沉静的心情来觉悟装饰与艺术,使中国当代装饰漆艺运用传统的技法,将传统工艺的思想,哲学或者说是中华传统文化的实质内涵,在现代领域中展现开来。我们当代的漆艺者并不是在创造艺术,而是用真心诉说文字语言和世俗行为没法表达得一份激情。
This thesis starts with the author’s graduation project, which explains the implication and philosophy behind the work in detail. The starting point of this graduation project is the guest of the traditional lacquer technique and symbol, with the symbol of “卍” as the basic unit, the pattern of paper-cut “Wan Changchun” (Figure 1-1) Decorative lines now symbol to gold. In my opinion, contemporary lacquer art should avoid over-emphasizing the imitation and reproduction of objects and abandon the multi-angle and multi-directional observation and diversification of performance. In the process of exploring decorative lacquer art, we should proceed from nature and take a quiet mood to realize the decoration and art so that the contemporary Chinese decorative lacquer art will use the traditional Techniques, the traditional process of thinking, philosophy or the essence of traditional Chinese culture, in the modern field show off. Instead of creating art, our contemporary lacquer artists can not express a passion by telling plain language and worldly behavior.