《祝福》是深刻揭示旧社会中国封建社会劳动妇女悲剧命运的小说。祥林嫂以其悲惨的遭遇、悲哀的命运和悲剧的形象震撼人心。其强大的艺术魅力,在于作品深刻地揭露了封建礼教思想的吃人本质。把浓烈的悲剧氛围和选材的典型性、艺术性相联袂,相互烘托,交相辉映,使主题得到深化,不仅值得师生鉴赏,更堪作我们写作的拓本。 一、小说要把“凶人的愚妄的欢呼”和”悲惨的弱者的呼号”鲜明地摆到读者的面前,形成强烈的对比,作品尤注重后者。 小说的高潮部分,祥林嫂再到鲁镇,这时她已丧夫失子,被大伯收拾屋子驱赶出来,可谓“家破人亡,流离失所”。“未嫁从父,既嫁从夫,夫死从子”,在封建礼教的桎梏束缚下,这 “Blessing” is a novel that profoundly reveals the tragic fate of working women in the feudal society of old society in China. Xiang Linqi shocked people with his miserable experience, sad fate and tragedy. Its strong artistic charm lies in the fact that the work has profoundly exposed the nature of feudal rites and thoughts. To connect the intense atmosphere of tragedy with the typicality and artistry of the selection of materials, to show off each other, to add radiance to each other, and to deepen the theme is not only worthy of the appreciation of teachers and students, but also worthy of the extension of our writing. First, the novel should place the “his fierce ignorant cheers” and the “tragic call of the weak” clearly in front of the readers, forming a strong contrast. The work pays particular attention to the latter. In the climax of the novel, Xianglin went to Lu Town. At that time, she had lost her son and was driven out by the uncle to clean up the house. It was described as “family death, homelessness, and displacement”. “Unmarried from the father, married from husband, husband died from child”, under the bondage of feudal rituals, this