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在最近20多年中,中国画坛发生了急剧的变革与分化,中国画家的文化心态也异常复杂多样。不论是传统文化心态型、自我文化心态型、社会文化心态型或人类文化心态型等,各自在不同层次上确定价值取向,进行各自的文化追求,决定着艺术家不同的命运。花鸟画这个与现实生活贴得并不很紧的画种,也以其自身的特殊方式折射出社会变革的呼声。在艺术上可说是一个不平常的躁动时代。在上述文化情境中成长起来的蔡寅坤老弟,我认识他也快10年了。他的画以大写意为标榜,
In the last two decades, the Chinese painting has undergone dramatic changes and differentiation. The cultural mentality of Chinese painters has also been extremely complex and diverse. Regardless of the traditional cultural mentality, self-cultural mentality, social and cultural mentality, or human cultural psychology, each at different levels to determine the value orientation, pursue their own culture, determines the artist’s different destinies. Flowers and birds painting, which is not so closely linked with the real life, also reflects the voice of social change in its own special way. Art can be described as an extraordinary agitation era. Tsai Yin-kun, who grew up in the above-mentioned cultural situation, has known him almost 10 years. His paintings are advertised in uppercase,