从张旭草书来看,处处表现出强烈的视角冲击力的夸张造型,奇异势态无不是在法的制约下产生奇思妙想,幼化出奇妙的想象和空间感,也是书法家对大自然和人文社会发出共鸣的呐喊的集合。从“经典”源出,来审视草书的发展轨迹唐代是中国历史上灿烂辉煌的时期,社会经济文化高度发达。书法在唐代进入理性整合时期。唐代楷书、草书都成为了书法史上不可企及的两座高峰。草书发展 From Zhang Xu cursive books, everywhere showing a strong visual impact of the exaggerated shape, the singularity is not without the whimsy under the constraints of the law, the emergence of a fantastic imagination and sense of space, but also calligrapher on nature And the humanities and social resonance cry shouting collection. From the “classic” source, to examine the cursive development path Tang Dynasty is a brilliant period in Chinese history, socio-economic and cultural highly developed. Calligraphy entered rational integration period in Tang Dynasty. Tang script, cursive have become the history of calligraphy can not be reached two peaks. Cursive development