关汉卿长期被认为是“本色当行”元代文人代表,其戏剧作品体现了他的社会认知。本文通过对关汉卿戏剧作品的阅读与研究,对其戏剧中的人格范型进行研究和探讨,认为关汉卿戏剧否定了拜金人格、权势人格、享乐人格、门第人格等人格范型,这种人格否定在当下仍具有社会意义。 Guan Hanqing has long been regarded as “character when the line ” Yuan Dynasty literati representatives, his dramatic works embodies his social cognition. Through reading and studying Guan Hanqing’s dramatic works, this dissertation studies and discusses the genre of personality in his plays, arguing that Guan Hanqing’s plays negate the personality paradigm of worshiping gold, power personality, enjoyment personality and door personality, In the moment still have social significance.