我在北京住琉璃厂附近,经常有机会在这条世界著名的文化街上心游或游心,经常与荣宝斋的篆刻名家和一些篆刻高手有往来,渐渐对中国篆刻艺术有了一定的认识。到了大理在一些场合时常见到陆璐的书、画、印作品,他作品的格调和味道令我注意。我们在开会间歇、下乡过程、工作之余时常会说到篆刻这个话题,久而久之,对陆璐的艺术总有一些新的体会和认识。这次他在新著《中国印教程》即将付梓之际,嘱我写个序,我欣然同意,也算是文友之间的雅韵互答吧。我认为这部书有三个特色:一是师范特色。作为教材体例,可教可学,印章范本正统正宗,可谓取法乎上。无论直接还是间接,学习总有 I live in Beijing near the Liulichang, often have the opportunity to swim in this world-famous cultural center or wander heart, often Rongbaozhai carving masters and some seal engraving expert exchanges, and gradually have a certain degree of Chinese carving art understanding. To Dali, Lu Lu in some occasions often see books, paintings, printed works, his style and taste of the product I pay attention. We are in an intermittent meeting, go to the countryside process, spare time often speak of carving this topic, as time passes, Lu Lu’s art there are always some new experiences and knowledge. This time he was in the new “Chinese Indo-Chinese Course” is about to pay off, asked me to write an order, I am pleased to agree that it can be considered between the friends and gentlemen Yayu each answer it. I think this book has three characteristics: First, teacher characteristics. As a teaching material, teaching can be learned, the orthodox seal model is authentic. There is always learning, either directly or indirectly