[说起陈国富,他做监制可要比当导演的名声来得大多了,当然《风声》除外,毕竟这位与华谊合作多年的台湾电影人因为与高群书联合执导了《风声》,才开始抛头露面,为人所熟知。与华谊多年的成功合作,在《唐山大地震》中,陈国富又毫无意外地出任监制。因为有了冯小刚的光芒,这部电影对他来说未必如当年的《风声》那样风光,让他声名鹊起,但他为主流商业大片带来的新鲜血液、他与华谊开创的全新的合作模式仍值得称道。何况,对于这部影片来说,陈国富还充当了一回片商的角色,利用自己的旧相识的关系把电影卖到了台湾,从这一点上也可以看出,陈国富与华谊,不只是雇佣的关系,恰如鱼之与水,互生共存, [Speaking of Chen Guofu, he is more likely to be a producer than a director when his fame is much, of course, “Wind”, after all, the cooperation with Huayi Taiwanese filmmakers for many years because co-directed with Gao Qunshu “wind” began Be public, well known. With Huayi years of successful cooperation, in the “Tangshan Earthquake”, Chen Guofu also no accident as a producer. Because of Feng Xiaogang’s glitz, this film may not be as famous to him as the “wind” of the year, which made him famous. However, his new blood brought to mainstream commercials and his new cooperation with Huayi Mode is still commendable. Moreover, for this film, Chen Guofu also played a role as a film trader, using his old acquaintance of the movie sold to Taiwan, from this point we can see that Chen Guofu and Huayi, not Just the employment relationship, just as the fish and water, live together,