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严格意义上的“城市小说”是在都市化文化语境上对“城市性”的艺术感受和审美把握，在这个意义上产生的９０年代“城市小说”一出现便成为城市文化的重要生长点。９０年代“城市小说”在创作类型和表现形态上可分为“世情生态”、“市情商态”、“问题写实”三脉。“世情生态”小说关注城镇民间社会三教九流的众生相和纷坛杂陈的世俗景观，讲究圆满融合的美学精致与中和从容的叙事风范；“市情商态”小说使中国当代小说具备了真正的“城市化”品位，它拓开了新的叙事表达空间和别样的创作情调；“问题写实”小说以“平民立场”来书写社会“公共生活”中人们关注的现象或“问题”，平实性的艺术表达、写实化的叙事操作、现实主义责任感都表现得比较充分。
In the strict sense, “urban novel” is the artistic feeling and aesthetic grasp of “urbanity” in the context of urbanized culture, and the emergence of “urban novel” in the 1990s has become an important growth point of urban culture as soon as it appears . In the 1990s, “city novels” can be divided into three types of “ecological world,” “city business conditions,” and “realistic problems” in terms of their types of creation and performance. The novel “World Situation Ecology” pays close attention to the secular landscapes of all walks of life in urban civil society and the miserable worldly landscape, paying attention to the refined and harmonious narrative style of perfect harmony and neutral calmness. The novel of “city quotient and business state” has made Chinese contemporary novels possess the true “ Urbanization ”, it opens up new space for narrative expression and other creative sentiments.“ Problem-realistic ”novels use“ civilians standpoint ”to write the phenomenon or“ problem ”that people pay attention to in“ public life ”of society, The artistic expression, realistic narrative operation, realistic sense of responsibility are more fully demonstrated.