这是一个最好的时代,这是一个最坏的时代。《艺术财经》创刊至今已经6年了,几乎陪伴了中国艺术市场最跌宕起伏的时期:艺术品火了,画廊多了,艺术家富裕了,艺术院校扩招了,艺术产业化了,艺术品金融化了,艺术品能作为赚钱的工具了,拍卖行善于营销了但与此同时,艺术市场的泡沫出现了,艺术变成了热钱追捧的对象,艺术家不再考虑学术了,策展人明码标价了,艺术跟金融危机挂钩了,艺术与权力并行了 This is a best time, this is the worst time. Art Finance has been running its first six years now, and has almost accompanied the most ups and downs of the Chinese art market: the fireworks are on, the galleries are rich, the artists are wealthy, the art academies expand their enrollment, art is industrialized, art finance At the same time, a bubble in the art market has emerged. Art has become the object sought after by hot money, and artists no longer consider academics, and curators are clearly labeled as price-conscious Art is linked to the financial crisis, and art and power go hand in hand