李清逸现任陕西省文史研究馆研究员,陕西省炎黄书画院院长,中国画家协会西北创作中心艺术总监。最近,由王明明先生题签的李清逸第二部画集《风动山不动——李清逸书画作品集》由上海三联书店出版了。翻阅着这部沉甸甸的大型画集,联想到他几十年来艰辛创作的不易,无形的道义力量促使我把清逸及其山水画艺术介绍出来,以醇化学风。 Li Qingyi is currently a researcher at Shaanxi Provincial Institute of History and Culture, a dean of the Yanhuang Painting and Calligraphy Institute of Shaanxi Province, and an artistic director of the Northwestern Creative Center of Chinese Painters’ Association. Recently, the second album of Qingyi Li, signed by Mr. Wang Mingming, is entitled “Fengshen Mountain does not move - Li Qingyi’s Calligraphy and Painting Collection” was published by Shanghai Sanlian Bookstore. Flipped through this heavy, large-scale art collection, reminding me that the hard-edged and invisible moral power that he had been hard-won over the past few decades led me to introduce Qing Yi and his landscape art to the chemical ethos.