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近二三十年来,清代宫廷戏曲研究取得较大拓展,然而探讨清宫演出剧目的成果却有限。随着部分清宫档案的影印出版,核之以前辈学者的研究,再辅以其他相关文献的零散记载(如清人日记、清代朝鲜使者的《燕行录》等~②),我们对清宫演剧之剧目系统,将有更全面的了解。正如有学者指出的:“整理和发现、考释剧目,是戏曲研究的基础工作。”~③对于清宫戏曲而言,其理亦同。本文所考述的,是清宫戏曲的一个重要题材类型,即隋唐故事戏。据《故宫珍本丛刊》(以下简称《丛刊》)和《中国国家图书馆藏
In the recent two or three decades, there has been a great expansion of the study of the court drama in the Qing Dynasty. However, the achievements of exploring the repertory of the Qing palace have been limited. With the publication and photocopying of some Qing dynasties archives, the study of nuclear predecessors and scholars, together with the scattered records of other related literatures (such as Qing diaries, the “Yan Xing Lu” of the Qing envoys, etc.) Drama drama system, there will be a more comprehensive understanding. As some scholars have pointed out: “Finishing and discovering, examining and rehearsing plays, is the basic work of the study of opera. ” ~ ③ For Qing Opera, the reason is the same. This article examines the Qing drama is an important theme type, that Sui and Tang story show. According to the “Forbidden City Rare Books Series” (hereinafter referred to as “Series”) and "China National Library