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所谓咏物,便是以饱蘸诗意的笔触来吟咏外物,六世纪杰出的文集编选者萧统在为《文选》作序时便运用了这一术语来指称赋(或韵体文)中这种业已成熟的艺术门类(subgenre):若其纪一事,咏一物,风云草木之兴,鱼虫禽兽之流,推而广之,不可胜载矣。诚如萧统所言,适合于用赋体来描摹的对象,几乎不胜枚举——包括生灵万物、自然景观及工艺制品在内的种种物象皆可供遴选。随着咏物赋自汉至六朝之发展,这一状况变得更加明显了。到了
The so-called chant thing is to chant foreign objects with poetic brush strokes. When Xiao Tong, an anthology editor of the 6th century distinguished anthology, applied the term to “prose” as a preface to Fu (or rhyming body language) This mature art genre (subgenre): If the discipline of things, Wing a thing, the ups and downs of the Hing, fish and insect beasts of the stream, wide and can not be carried. As Xiao Tong said, objects suitable for tracing with fuss bodies are almost impossible to enumerate - all sorts of things, including creatures, natural landscapes and handicrafts, are available for selection. With the development of chant in Wu Han from Han Dynasty to Six Dynasties, the situation becomes more obvious. Arrived