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今年七月,《南都娱乐周刊》的一篇文章——《中国电影到底需不需要影评人》引起热议,国内影评人的现状又一次受到关注。是不是如电影学者石川所言“只要会写字的都能做影评人”?影评人能对一部电影票房起到的影响究竟有多少?影评人的专业素质到底如何?枪稿、红包稿、人情稿……中国的影评是否已经沦落到泛滥的地步?坏品位、做宣传、博口碑……中国的影评人是否已经处于变质的地步?本期《风云对话》,我们邀请了三位在业界颇有口碑的青年影评人来为大家答疑解惑。
In July this year, an article in Nandu Entertainment Weekly - “Chinese film needs no film critics at all” has aroused heated discussion. The current situation of domestic film critics is once again drawn attention. Is not like the film scholar Ishikawa said “as long as you can write a movie critic ”? Film critics can have a movie box office how much impact? Film critic’s professional quality in the end how? Gun draft, red envelope Manuscript ... ... China’s video critics have been reduced to flooding the level of bad taste, publicity, blog reputation ... ... China’s film critics have been in the stage of deterioration? This “situation dialogue,” we invited three Reputation in the industry quite a young film critic for everyone to answer questions.