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近40年来,历史让中国具备了艺术突破的经济条件,但中国书画却陷入了困境。有人说,20世纪80代后期,陈丹青在纽约时,后现代都已结束,他还在听木心讲1920年代前的文学史,知识明显落后两个时代,至今后殖民主义思潮都结束了,美术界仍有大批青年将木心文学讲课笔记当文学教科书看,可见美术界的知识落后状况未有改观,还说85%的美院人不懂先锋文学、音乐、电影。
In the past 40 years, history has provided China with the economic conditions for artistic breakthrough, but Chinese painting and calligraphy has been in a dilemma. Some people say that in the late 80s of 20th century, when Chen Danqing was in New York, postmodernism was over. He was still listening to the heart of the history of literature prior to the 1920s, and his knowledge lagged behind two generations. So far, the trend of colonialism has ended. There are still a large number of young people in the art world who read wooden heart literature lectures as literary textbooks. This shows that the backwardness of knowledge in the art world has not changed, and 85% of the academies do not understand pioneer literature, music and movies.