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通常的说法,是公元1581年利玛窦携天主、圣母像来到中国后,中国才有了油画,其牛一幅“木美人”作品,虽历时五百余年,仍依稀可见画风的古朴厚重。康熙年间,传教士郎世宁、潘庭章、艾启蒙等以绘画供奉内廷,从而把西方的油画技法带入了皇宫。雍正、乾隆年间,宫廷的包衣受命于皇上,向传教士学习油画,但并未留下一些痕迹。1840年鸦片战争爆发,中西文化大冲撞,民间的油画画坊、画馆兴起,油画画技亦得到很大改善。但此时画工的地位低微,文
As a general rule, after Matteo Ricci came to China in 1581 AD, China came into possession of oil painting after the Madame came to China. Although his work “Wood Beauty” lasted over 500 years, it still can be seen in vain Simple and heavy. During the reign of Emperor Kangxi, the missionaries Castiglione, Pan Chaphan, Ai Qimeng and others devoted their paintings to the Inner Court, bringing Western painting techniques to the imperial palace. During the Yongzheng and Qianlong years, the court’s coating was entrusted to the emperor to learn the oil paintings from missionaries, but did not leave any traces. The outbreak of the Opium War in 1840, the great collision of Chinese and Western cultures, folk painting workshops, the rise of museums, and oil painting techniques have also been greatly improved. But this time the status of painters low, text