第二次世界大战中日本画卷进了日本主义国粹思潮漩涡。随着战败带来对国粹思潮的彻底非议,日本画几乎被置于否定。这时,一度受军方压抑的社会,一切视野急剧地解放,欧美现代思潮有如怒涛般地涌入。由于又卷进“只要投身于这一思潮即是日本的新生活”这一令人产生错觉的动荡时流,日本画已是颓然失神,跌入迷茫之渊、这恰似以“废佛弃释”为旗号而片面性地否定传统、否定日本画,象欧美一边倒的明治初期一样,不！可以说比那种狂热的风潮更为强烈。 In the Second World War, Japan drew the whirlpool of Japanese nationalism. As the defeat brought about the complete criticism of the quintessence of the quintessence of China, Japanese painting was almost denied. At this time, once depraved by the military, all fields of vision were rapidly emancipated and the trend of thought in Europe and the United States influxed like anger. Japanese painting has been slumped into a deep confusion due to the turbulent flow of illusion that “once we devote ourselves to this new trend of life in Japan,” it is just like “discarded ”For the sake of the banner, one-sidedly denied tradition and denied Japanese painting. Like the early Meiji period in Europe and the United States, no! Can be said to be more intense than the kind of fanaticism.