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时间:四月二十九日—五月十五日地点:连云港市美术馆主办单位:江苏省委宣传部、江苏省文联承办单位:江苏省书协、连云港市委宣传部、连云港市文广新局、连云港市文联张耀山学书是从唐楷入手的,在遍临欧、颜、柳、褚诸大家后,被颜真卿《麻姑仙坛记》《勤礼碑》的雄健端庄所吸引,且于此二碑用功最深。幼时对颜鲁公笔意和结体的喜爱,不仅奠定了其道劲质朴的风格基调,也为其指明了古拙清远的学书方向。随后他由唐楷上溯到《张迁碑》《西挟颂》《石门颂》等沉着痛快一路的汉代诸碑。对汉隶的临习也使其萌生突破唐代森严楷法、追求形神兼备的审美意识。上世纪八十年代初,张耀山开始对草书产生浓厚的兴
Time: April 29 - May 15 Location: Lianyungang Art Museum Organizers: Propaganda Department of Jiangsu Provincial Party Committee, Jiangsu Province Federation of Literary and literary Undertaker: Jiangsu Provincial Association of Books, Propaganda Department of Lianyungang Municipal Party Committee, Lianyungang City, Board, Lianyungang City Federation of Literary Zhang Yao Shan Xue Shu is started by Tang Kai, after passing through Europe, Yan, Liu, Chu all the people, by Yan Zhenqing “Mudunxian altar” “courtesy monument” dignified and dignified and In this second monument diligently. When he was young, his interest and compliment of Yan Lu Gong not only laid the basic tone of his style and simplicity, but also pointed out the orientation of ancient books Qingyuan. Later, he traveled from Tang Kai to Han dynasties such as Zhang Qian Monument, Xixi Song, Shihmen Song and so on. The practice of Han Li also made its initiation break through the strict Kai law of the Tang Dynasty, the pursuit of both aesthetic and aesthetic awareness. In the early eighties of last century, Zhang Yao Shan began to produce a strong cursive Hing