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水墨人物画常以高度概括的外形来构造画面,并以内在的动势给予其生命。文章就“外形”与“内势”的观念在绘画作品中的应用作了具体的分析,阐明“外形内势”的统一性。
Ink-and-wash portraits tend to construct images with a highly general appearance and give their lives with intrinsic motivation. The article makes a concrete analysis of the application of the concept of “appearance ” and “inner force ” in painting works, and expounds the unity of “inner appearance ”.