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1.谈美国当代诗歌,不能不提及纽约派。这是因为,纽约派代表了美国当代诗歌的一个新的走向;另一方面,纽约派产生了战后较为重要的诗人,当前备受推崇的约翰·阿什贝利就是其中的一位。和新超现实主义一样,纽约派的诗风受到欧洲超现实主义的影响;同样,纽约派也不是严格意义上的流派,只是由一些志趣相投的诗人艺术家松散地结合在一起。和新超现实主义不同的是,纽约派的风格更加荒谬,更加注重嘲讽;幽默和幻想的成分也更加浓郁,并以此来反对意义。简单地说,这一流派更强调语言的游戏性,因而更具有后现代主义的色彩。
1. On American contemporary poetry, can not but mention the New York school. This is because the New York School represented a new trend in American contemporary poetry. On the other hand, the New York School produced post-war poet. One of the most respected John Asbury was one of them. Like neo-surrealism, the New York school’s poetic style is influenced by European surrealism; likewise, the New York School is not a strictly genre but is loosely integrated by a group of like-minded poet artists. Unlike the neo-surrealism, the New York school is more absurd and tacit-mien; it has more elements of humor and fantasy and opposes meaning. Simply put, this genre is more emphasis on the language of the game, and therefore more the color of post-modernism.