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《利未记》是《圣经》中经典的律法文书,在人类学家深究之下,却显现出文学文本建构和编码的匠心与深意。整个律法文本都是叙述者精心设计,两则神罚故事打断律法的连续叙事,如阈限将文本区隔为三,而每一区间内的章节首尾呼应、左右相衬,形成完美的文字之环和平行书写,与圣山、圣所的空间布局以及朝圣之旅自然对应,赋予《利未记》文学叙事的一致性。文本的双重角色使它不仅是一个记忆体系或一种文学体裁,其本身即微缩宇宙,汇聚了不同层面存在的意义。揭示其文本结构,即可发现叙述者重建神圣律法文本的机心所在。
Leviticus, the classic instrument of law in the Bible, under the deep study of anthropologists, reveals the ingenuity and profound meaning of the construction and coding of literary texts. The whole text of the law is narrated by the narrator, and the two divine punishments break the continuous narrative of the law. For example, the threshold divides the text into three parts, and the chapters in each section echo from side to side and form perfect The ring of the writing and the parallel writing naturally correspond to the sacred mountain, the spatial layout of the sanctuary and the pilgrimage, giving consistency to the literary narrative of Leviticus. The dual role of text makes it not only a memory system or a genre of literature, itself a miniature universe that brings together the meaning of existence at different levels. Revealing its textual structure reveals the motivation of the narrator to reconstruct the text of the divine law.