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作为篆刻学主要表现为将汉字书法的美,与章法表现的美、刀法展现的美及金石自然美为一体,以独立欣赏的表现性艺术。而在篆刻艺术的长河中起源于春秋战国时期的“鸟虫篆”随使用场合的要求而呈现多样化发展,到了汉代时期鸟虫篆大量进入印章领域,从而使鸟虫篆在篆刻印章艺术中流光溢彩,成为“篆刻学”发展的一个重要组成部分。本文主要讨论“鸟虫篆”在汉代篆刻艺术中的运用与表现。
As the seal carving mainly manifested as the beauty of Chinese calligraphy, and the performance of the beauty of the chapter, the beauty of the knife and the natural beauty of stone as one, with independent expression of the performance of art. In the long history of carving art, the “Birdworm and Seal” originated from the Spring and Autumn Period and the Warring States Period, which showed diversified development with the requirements of use occasions. By the time of the Han Dynasty, birdworm seals entered the stamp area in a large amount, Ambilight in art has become an important part of the development of “carving study”. This article mainly discusses the application and performance of “Birdworm Seal” in the seal cutting art of the Han Dynasty.