论文部分内容阅读
文学家的思维是形象思维,文学作品都应该是形象化的。但是,这一总体精神落实于各种不 同的文学体裁,情况却有所不同。在这里,引入“语象”的概念很有必要。据童庆炳主编的《文 学理论要略》一书,文学语言包括语音、语法和语象三个层面。这三个层面各抱利器,交互作 用,使文学语言冲破和超越普通语言的樊篱,从而进入艺术创造的境界。 必须强调,“语象”和“形象”是既有联系又有区别的两个概念。J．J西普尼认为,“形象”
Literary thinking is the image of thinking, literary works should be visualized. However, the overall spirit is different in different literary genres. Here, the introduction of the concept of “language” is necessary. According to Tong Qingbing editor of the “theory of literary theory,” a book, literary language includes three levels of speech, grammar and language. The three levels of each other, the interaction, the literary language to break through and beyond the barriers of ordinary language, thus entering the realm of artistic creation. It must be emphasized that “language” and “image” are two concepts that are both connected and distinct. J. J Cippeni believes that the “image”