2014已成故事。故事中的散文,仍一如从前,游走、出没于文坛边缘,扮演着年度文学大戏里兢兢业业而又毫不起眼的配角。回放一年的散文创作场景,没有昂扬惊悚的登高一呼,更没有热烈欢腾的应者云集,只有躬耕垄亩和汗滴禾下土的一派静默。在文学舆论和文学批评喧嚣一年的记录中,也没有几个独属于散文的主题专场,更找不到多少特别为散文而说的精 2014 has become a story. The essays in the story are still the same as before. They walk around and haunt the edge of the literary world. They play the role of conscientious and unremarkable role in the annual literary drama. Playback of the year’s prose creation scene, without high spirited ascending cries, but not enthusiastic jubilant gathered, only bowed ridge acres and sweat Wo Wo soil party silence. In the noisy year of the literature and literary criticism, there are not many special topics dedicated to prose, nor can we find any number of speeches