中国山水画由实用性转换为艺术性,从原始色彩思维上升到“喻象性”人文体系的建立,始终与自然之间的美学保持着一种“若即若离”的亲和状态。面对大自然而激起强烈的审美感兴,才是画家进入山水创作的起点。中国传统绘画一向被认为是“德”、“道”“、志”、“意”的载体,它所表露的也就是中国人对于现实世界的思考和追求。 Chinese landscape painting from practicality to artistry, from the original color thinking rose to “metaphor ” the establishment of the humanistic system, always with nature aesthetics maintained a “if and where ” affinity. In the face of nature and aroused a strong sense of beauty, is the artist into the landscape starting point. Chinese traditional painting has always been regarded as the carrier of “D ”, “Dao ”, Chi “, ” meaning ", which reveals the Chinese people’s thinking and pursuit of the real world.