上期我们聊了录音工作中类似扩音和小型演出情形下,如何选择话筒。这一期我将接着聊一下仅仅录音而不考虑扩声的情形下,怎样选择话筒。在扩声的场合,我们需要考虑到反馈问题,所以在录音的时候,有所保守地使用一些灵敏度相对较低的话筒以及一些特殊用途的话筒。在不需要扩声的场合,录音的选择就相对地多了一些。由于不用考虑声回授的问题,而需要更多考虑的是声场、声像、录音 In the previous episode, we talked about how to choose microphones in similar recording and mini-performance situations. In this issue, I will talk about how to choose a microphone in the meantime, recording only without considering sound reinforcement. In the case of sound reinforcement, we need to consider the feedback problem, so when recording, some conservative use of some relatively low sensitivity microphones and some special-purpose microphones. In the absence of sound reinforcement occasions, the choice of recording is relatively more. Because there is no need to consider the issue of acoustic feedback, and more consideration is the sound field, audio and video recording