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伊丽莎白·斯特劳特的《奥丽芙·基特里奇》以新颖的创作形式、质朴的叙事风格和永恒的婚恋主题吸引了众多关注,而作品中表现的生态女性主义思想更为可贵。通过13篇相对独立又密切相关的短篇小说,巧妙地将女性命运与大自然及其周遭男性相联系,揭示了现代女性遭受工业文明和男权文化双重压力的真相,并通过小镇众生的喜怒哀乐,审视人们内心深处对于生命本身的尊重和敬畏。小说解构了人类中心主义和男性中心主义,积极探索女性自我救赎的途径,谋求人与自然的和谐家园。
Elizabeth Slaughter’s Oliv Ki Kitrich attracts a great deal of attention with his innovative writing style, rustic narrative style and timeless love and marriage theme, and the ecofeminist thinking embodied in his works is even more valuable. Through 13 relatively independent and closely related short stories, cleverly linking the fate of women to nature and the men around them reveals the truth that modern women suffer from the dual pressures of industrial civilization and patriarchal culture, Sorrow and sorrow, examine people’s inner respect and reverence for life itself. The novel deconstructs anthropocentrism and male-centrism, actively explores the ways of female self-salvation, and seeks for a harmonious homeland between man and nature.