论文部分内容阅读
1982年8月,我在山东艺术学院牟善平老师的二十六簧笙的基础上,设计了一种二十九簧圆笙(见图)。这个笙采用并连苗的方法,笙苗增多后笙斗没有增大(笙斗直径10厘米),并有以下优点: 1.扩大了音域(g~~#f~3)。 2.增加了半音。~#f~1到d~3之间半音齐全。增加这些半音后,可吹D、G、C、A、E、F、~bB、~bA、~#F九个调。 3.笙体轻,只有3.15斤。 4.保持了传统的外形(圆形,一边开口);保持了传统的音位排列(十七簧笙的音
In August 1982, on the basis of the twenty-six spring shenshi of Teacher Mou Shanping at the Shandong Art Institute, I designed a twenty-nine spring round Sheng (see photo). This method of Sheng and even Miao, Sheng-Miao after the increase did not increase the volume Sheng sheng (diameter 10 cm diameter), and has the following advantages: 1. Expand the range (g ~~ # f ~ 3). 2. Added semitone. ~ # f ~ 1 to d ~ 3 semitones complete. After adding these semitone, you can blow nine tones of D, G, C, A, E, F, ~ bB, ~ bA, ~ #F. 3. Sheng body light, only 3.15 pounds. 4. Maintain the traditional shape (round, open one side); to maintain the traditional arrangement of the phonemes