论文部分内容阅读
深入分析和准确把握音乐美学范畴，对于我国古代音乐美学思想能起到一定的梳理作用。在情理方面，大致经历了由重理逐渐过渡到重情的过程，其美学特征为：情与理的统一和真情至善观念的确定，反映了对音乐本质特征的认识。形神论则深刻反映了古代对音乐审美特点的认识，具有我国民族审美传统的独特风貌，其美学特征为：崇法自然、质朴天成和形神兼备、联想自由。
In-depth analysis and accurate grasping of the category of music aesthetics can play a certain role in the aesthetics of ancient Chinese music. In terms of reason, it generally goes through the process of gradual transition from heavy to heavy, with the aesthetic characteristics of the unification of love and reason and the determination of the truth of perfect love, which reflects the recognition of the essential characteristics of music. The themitism deeply reflects the ancient understanding of the aesthetic characteristics of music and has the unique style of the national aesthetic tradition of our country. Its aesthetic characteristics are as follows: the nature of Chongpai, the simplicity of nature, the harmony between form and spirit, and the freedom of association.