如果顺着文学史的旧路,始终把“恐怖伊恩”的帽子扣在麦克尤恩头上,那就大错特错了。在《最初的爱情,最后的仪式》《床第之间》《水泥花园》等麦克尤恩最有名的早期作品中,“暴力”“荒诞”“死亡”“色情”构成了小说最核心的表达元素。但似乎从《时间中的孩子》开始,那些典型的麦克尤恩式词汇和奇崛怪诞的表达,都渐渐被抛在了脑后,这位原本游走于主流叙事方式之外的小说家,越来越融入英国 If we follow the old path of literary history and always keep the “Ian of Terror” in McEwan’s head, it would be totally wrong. Among the most famous early works by McEwan, “The First Love, The Last Ritual,” “The Bed Between,” “The Garden of Cement,” “Violence,” “Absurdity,” “Death,” “Pornography, ”Constitutes the core expression of the novel elements. However, it seems that from the “children in time”, those typical McEvoyan lexicons and strange and strange expressions have gradually been left behind. The novelist, who originally walked outside the mainstream narrative, The more into the United Kingdom