榷场是宋与辽、金、西夏间在边境设立的官办贸易场所。榷场间的书画文物交易始于北宋,盛于南宋。靖康之变,大批文物入金,南宋绍兴十二年高宗于宋金间建立榷场,开始对书画等文物进行大规模的官方回购,以充实绍兴内府收藏。孝宗至宁宗时期,随着内府搜罗的停滞,民间榷场的交易逐渐复苏。至金衰落及覆亡,明昌内府书画外流,带来了理宗君臣收藏的热潮,乃至产生“榷场物”之称。而这一时期由榷场回流的碑帖,更往往被打上入金的烙印。 The quarry is the official trading place set up at the border between Song Dynasty and Liao, Jin and Xixia. The inter-field painting and calligraphy relics transactions began in the Northern Song Dynasty, Sheng in the Southern Song Dynasty. Jingkang changes, a large number of cultural relics into the gold, the Southern Song Dynasty Shaoxing twelve years in the Song and Jin dynasties to establish a field of open, large-scale official repurchase of paintings and other cultural relics began to enrich Shaoxing Neihu collection. Xiaozong to Ningzong period, with the withdrawal of the Neihu collection, folk market transactions gradually recovery. To the decline and fall of gold, the Ming and Qing Dynasties House flow of calligraphy and painting, has brought the climax of Li Zong-Jun Chen collection, and even produce “Qiuchangwu ” said. This period of time by the relics from the field of rubbings, more often labeled as the imprint of the deposit.