认识士增先生是在一九八○年,那时他就职于中国美术家协会《美术》杂志编辑部,事业有成,风华正茂,在我们的眼中,他已经是中国美术理论界举足轻重的人物。后来不断读到他发表的文章,觉得他对中国美术的历史和现实,常常有比较深划的认识;对于画家和他们的作品,能够 Recognizing that Mr. Shizeng was in 1980, when he worked in the editorial department of Fine Arts magazine of the Chinese Artists Association, he was a successful and prosperous business. In our eyes, he is already the most important figure in Chinese art theory circles character. Later, he kept reading articles published by him and felt that he often had a deeper understanding of the history and reality of Chinese art. For artists and their works,