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周扬同志在“文艺战线上的一场大辩纶,中说:在不久前那次国际国内的反共逆流中,社会主义的文艺又遭受到了一次新的攻击。在这次攻击中,”修正主义者出来大显身手“。我认为,在这些”大显身手“的修正主义者中,却有一位不露身手的人物,这就是秦兆阳。他最早在中国文艺界树起修正主义大旗。他用何直的笔名发表的那篇”现实主义——广阔的道路“起了呼风唤雨的作用。它把西方修正主义的文艺思想的逆流导引进来;把国内一切修正主义的幽灵召唤出来。一时有多少修正主义的牛鬼蛇神聚集在这面大旗下,向着社会主义的文艺猖狂进攻!他利用他在”人民文学“”主持中馈“的职权,把他这篇文章用黑体字标题登在”人民文学“一九五六年九月号的第一篇。”人民文学“在全国
Comrade Zhou Yang said in a big dialectics on the literary and art front that: In the recent international and domestic anti-communism campaign, socialist literature and art was again subjected to a new attack. In this attack, The revisionists came out to show their talents. ”In my opinion, among these revisionists who are“ displaying their talents, ”there is one unsuspecting character, that is, Qin Zhaoyang, who first established the banner of revisionism in Chinese literary and art circles. His article “Realism - A Broad Path” published under his pseudonyms played a role in calling for resources: It guided the countercurrent of Western revisionist literature and art to come in; called out all the ghosts of revisionism in the country How many revisionist monsters and goblins gathered under this banner and attacked the socialist literature and art! He took advantage of his power in “People Literature” The title of the word is posted on the first of September, 1956, “People’s Literature.” “People’s Literature”