西方美术史中风景画的发展相对于人物画来说是十分艰难而缓慢的。很长时间以来,它都是作为其他画科(比如历史画、风俗画以及肖像画等)的背景而存在。虽然在文艺复兴时期就有一些大师对它产生了兴趣——威尼斯画派的画家们就曾做出了可贵的探索,但画家的范围与探索的深度却十分有限。乔尔乔内的《暴风雨》就使人物身后的风景似乎是第一次不充当背景而已;文艺复兴末 The development of landscape in the history of Western art is very difficult and slow compared with portrait painting. For a long time, it existed as a background for other art subjects (such as historical paintings, genre paintings, portraits, etc.). Although some great masters were interested in it during the Renaissance period - artists from the Venetian School had made valuable explorations, but the depth and scope of their exploration were very limited. The “Storm” in Giorgio caused the scenery behind the figure to appear to be the first to not serve as a backdrop; the late Renaissance