评剧《红高粱》在改编过程中,编导为“奶奶”九儿拓展了空间,为主演曾昭娟预留了广阔天地。昭娟果不负望,施展周身解数,也把这个预留天地充溢得盈盈满满,把一个复杂多面的人物活灵活现展现于舞台。叫人看个红红火火,听个酣畅淋漓。曾听人言,昭娟擅演古装。是的,一曲《赵锦棠》,在剧作者老戏翻新的基础上,昭娟把个受尽折磨,终于等来丈夫荣归的既贫妇又贵妇的多难女子演绎得情致浓浓。从夫妻的离别,磨坊的受难,风雪牧羊山的难中尽孝,直到长跪灵堂“死”去复活来的成套演唱,实实在在地告诉人们,她不愧评剧演古装的翘楚。听某顾曲行家说,在一不留神间,昭娟把“花 Pingju ”Red Sorghum“ in the adaptation process, directed as ”Grandma “ nine children expanded space, starring Zhaozhao Juan set aside a vast world. Zhaotuang not disappoint, cast their fingertips, but also to fill the world full of overflowing, to a complex multi-faceted figure vividly demonstrated on the stage. Called to see a booming, listen to a hearty drizzle. Once heard the saying, Zhao Juan good at costume. Yes, a ”Zhao Jintang,“ based on the refurbishment of the playwright’s old drama, Zhao Juan treated her in a torturous manner and finally ended her husband’s return of rich and difficult women, both rich and poor. From the couple’s parting, the mill’s suffering, the wind and snow shepherd’s difficulties in filial piety, until the long kneeling ”“ death ”to the resurrection of the concert, to tell the truth, she deserves to be commended acting costumes. Listen to a consultant who said that in a careless, Zhao Juan to "flower