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格非作为曾经先锋文学的代表作家,早期的创作特色主要集中在对“迷宫叙事”或“空缺叙事”等形式的创作上。然而,当我们翻开格非的中篇力作《隐身衣》时,无论是音乐元素的渗入,还是关于梦境的述说,或是对“隐身衣”的隐喻,先锋色彩依旧,但是“先锋”已经成为了手段,对中国知识分子文化传统和命运的探求、对现实主义的回归才是小说的终极追求。格非的“先锋”已经转型,他正用现代手段挖掘根植于中国人心灵深处的文化脉络,书写当代中国人的精神家园。
Ge Fei, as the representative writer of avant-garde literature, mainly focuses on the creation of “maze narrative” or “vacancy narration”. However, when we open up Ge Fei’s masterpiece “Invisibility Cloth”, whether it is infiltration of musical elements, narration about dreams, or the metaphor of “stealth clothing”, the vanguard remains the same, but “ Vanguard ”has become a means to explore the cultural traditions and fates of Chinese intellectuals. The return to realism is the ultimate pursuit of the novel. Geoffrey’s “Pioneer” has been transformed. He is using modern means to tap the cultural context rooted in the hearts and minds of Chinese and write about the spiritual homeland of contemporary Chinese.